"What we play is life." Armstrong, Louis and Thomas David Brothers. Louis Armstrong in his own words: Selected writings. We say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Change is inevitable. We grow and improve as we see fit. Without change there is no innovation, creativity and room for improvement. You can choose to resist it, or you can choose to adapt to it. However, the purpose remains the same. Music is an outlet for emotions. Tell a story. It nourishes the soul. Releases anger, sadness and happiness. Music is self-expression. Jazz is self-expression. Jazz has evolved as a genre over time. However, although jazz has changed significantly since its beginnings in the late 19th century, its purpose has remained the same: to transmit. The purpose of music will never change. It is a means of self-expression and will remain so. That's the beauty of music. It doesn't change, it evolves. The genre has just found more ways to express itself. Jazz is a musical genre developed by African Americans and influenced by both European harmonic structure and African rhythmic complexity. Although jazz originated in New Orleans nearly 100 years ago, its roots can be found in the musical traditions of both African and European cultures. From African culture, jazz manifested its expressive nature. Jazz has found its soul and purpose. It has become a genre created by anime with something to say. It was a means of expression. He found his groove and made the genre an extension of the voice. In European culture, jazz has found its sophistication and class. These architects had something to say and in European culture they found the means to say it. Jazz has found its harmony. Most of the instruments found in jazz music originate from Europe: saxophone, piano, trumpet, etc. Jazz found the elements of harmony, rhythm and melody from two cultures and combined them. It grew from voices to songs evolving and merging. Every musical element – ​​rhythm, harmony, melody, timbre and basic jazz forms – is essentially African in background and derivation. In Schuller's analytical book, his conclusions about jazz and its African roots are based on the writings of ethnomusicologist Arthur Morris Jones. African music has been found to be polymetric and polyrhythmic, meaning it features two or more independent meters and rhythms simultaneously. In contrast, European music has been found to be primarily monomeric and monorhythmic, meaning it has one meter and one rhythm at a time. African slaves are believed to have adapted and adapted their form of jazz to the higher European musical style, translating their polymetric and polyrhythmic points into a more monomeric and monorhythmic structure. This led to the birth of popular jazz music in New Orleans in the late 19th century. Over time, jazz has become a unique part of New Orleans' history and culture. This was a distinctive root of the colonial period, which proved useful in understanding the complex circumstances that led to the development of New Orleans “jazz.” As early as 1721, West African slaves made up 30 percent of New Orleans' population, and by the late 1700s people of various African origins, both free and enslaved, made up more than half of the city's population. During the 19th century, many immigrants – both European and African – flooded the state. New Orleans became a hot spot for unique elements, rich in cultural diversity; ultimately leading to the union of the African and European elements of the jazz we know today. Thererich ethnic and cultural composition laid the foundation for the development and evolution of the genre. Distinctive traditions and unique perspectives on life were woven together and poured into New Orleans jazz. New Orleans jazz began to spread to other cities like wildfire. Jelly Roll Morton, an innovative piano stylist, and composer began his odyssey out of New Orleans as early as 1907. Morton made a series of influential recordings while living in Chicago, which established a form of structure and sophistication for other soloists to explore. In 1917, the Original Dixieland Jazz Band made the first commercial jazz recording while playing in New York City. Suddenly, jazz, New Orleans style, became a national craze. The most significant departure from New Orleans occurred in 1922, when Louis Armstrong was summoned to Chicago by King Oliver, his future mentor. The 12-bar blues composition, West End Blues by Louis Armstrong and His Hot Five, contributed to the transformation of jazz. The song included many new elements, such as scat singing, which the Hot Five were among the first to debut. West End Blues encompassed two genres with lead instruments combined with an expressive vocal style. The scating was rough and beautiful, while Armstrong's cadence contained the anger and soul of the trumpet. During those 12-15 second cadences, Armstrong became the king of the soloists. The song became music of great power and emotional depth. He understood the beauty, elegance and sophistication of jazz. West End Blues, like many others, became one of several bridges connecting different types of jazz. New Orleans musicians and musical styles continued to influence jazz nationally and rapidly, and jazz continued to evolve and go through rapid stylistic changes. Jazz became America's undisputed popular music during the Swing era of the 1930s and 1940s. Jazz became popular in Chicago in the late 19th century. Jazz in Chicago was a blend of Mississippi Delta style and New Orleans “Dixieland” with musical inventors King Oliver, Jelly Roll Morton, and Louis Armstrong. This music played a substantial role in larger cultural changes during the era and also had an impact on pop culture that continued long after. Chicago was a jazz hot spot that offered endless opportunities for aspiring musicians. Jazz was mainly played in small clubs in the southern part of the city. This evolved style of jazz had elements of strict structure and rhythm, heavy bass and guitar. Longer solos and fast tempo gave Chicago a unique and special branch of jazz music, and in doing so the foundations of swing music were laid. Chicago experienced a decline in popularity, and New York City became an epicenter of jazz music. New York City became America's jazz capital. Artists Duke Ellington and Louis Armstrong played an integral role in the creation of jazz in New York. The excitement of the Big Apple has brought a variety of venues to perform at. New York was known as the hub of the jazz world in the early 1940s. With the end of Prohibition, New York became the place to see and be seen as both musicians and jazz fans. Many visitors began to include movie stars and famous guests. Speakeasys, such as the Cotton Club—which admitted only a white clientele entertained by such famous artists as Duke Ellington, Ella Fitzgerald, and Billie Holiday—began popping up all over the city. As America's jazz capital, New York City has continued to challenge artists in various ways. Please note: this is just an example. Get a custom article from our expert writers now. Get a Custom Essay Although jazz has experienced its lapses in admiration, 1986.