Topic > Depiction of White Supremacy in the Film “Get Out”

That moment when “Get Out” horror films are “narratives built on suspense, surprise, and shock” (Corrigan & White 332). Director Jordan Peele made "Get Out" a psychological horror film which is demonstrated in many scenes such as the chat between Chris and Missy which leads to an unexpected outcome which has to do with Chris' mind. That moment when Missy hypnotizes Chris and sends him to Sunken Place, illustrates white supremacy and the white gaze that manifests itself in society, as mentioned by Dianca London. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay In the scene, Chris is forced to sit down and talk to Missy because it would seem rude not to, especially since she is his girlfriend's mother. The conversation started with the topic of smoking which suddenly led to Chris' past, with his mother's death as the main topic. During this moment, some specific noises begin to intensify, such as the scraping of the spoon in the teacup signifying the beginning of Missy's control over Chris and the scraping of the chair illustrating the struggle Chris is having in remembering the traumatic event against his will. This is the family's first display of hostility towards Chris, which is somewhat ironic because what is used to control him should bring a sense of calm, but instead brings anguish and fear. To continue, when Chris is sent to Sunken Place prison, his voice is inaudible while Missy's is not. This is a hint of racism. Bring white supremacy into the picture. It shows what happens the most in society, which is that blacks are underrepresented and whites are given privileges. Their voice is not heard. Overall, the Armitage family uses “physical and psychological violence and violation, supremacist discourses and ideological attempts to dismantle black consciousness” (London). In this scene, white supremacy is shown by Missy's control over Chris. Even though they claim to love black people, their actions can be interpreted another way. He had been responsible for Chris's body since he started clinking his spoon in the teacup. He separates Chris from his physical self in this process to have complete dominion over his physical and psychological body. She proves superior to him once he becomes hypnotized and vulnerable. We can see his vulnerability with a zoom that shows us his emotional suffering in more detail, with tears and a blank look with red eyes. The audience bonds with him and fears what might happen to him. The darkness consumes him as Missy is illuminated by all the lights that can represent what sometimes happens in the real world in that white people are seen as saviors or good and black. people are perceived as bad. Even though it is the other way around in this situation, it is done to prove this point. The white gaze is demonstrated by Missy's judgment of Chris. Missy believes he is overwhelmed now because a part of him was sent to the Sunken Place, which means they have more authority over him than he does himself. This was proven when Chris became paralyzed and she was in control of what he could see, which was complete darkness, when she closed her eyes and he could do nothing to fix the situation. The white gaze is what white people see (Armitage family), which makes a difference. Chris notices the white gaze in the Sunken Place when he turns away from Missy, especially with the zoom out shot that increases the length of the distance between them in a way to symbolize that they are very different from each other and are on different sides. . .