Grayson Perry's 'The Vanity of Small Differences' collection is a show of his exploration of our personal lives and reflects how we have grown up in terms of social class . Grayson Perry is known for always working with traditional materials such as bronze, cast iron, ceramics, printmaking and, for these pieces, tapestries. The tapestries are known to be the artwork of the great houses and tell stories of classical myths, as well as religious events, historical scenes and famous battles. Perry's tapestries use the idea of ​​documenting ancient events, but instead do so with modern circumstances. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Much of the inspiration for the pieces came from Grayson Perry's "safari among the taste tribes of Britain", referring to Sunderland, Tunbridge Wells and the Cotswolds. He traveled this journey for his television show “Everything in the Best Possible Taste with Grayson Perry,” which first aired on Chanel 4 in May/June 2012. The collection involves building characters from those he has met, incidents, and objects. which resembles his journey. Much of the inspiration came from William Hogarth's 18th-century paintings titled "A Rake's Progress", a series of eight paintings telling the story of young Tom Rakewell, who inherits a large sum of money from his father. Unfortunately, the young man spends this money foolishly and spends it on clothes and gambling. He then marries for money and loses this inheritance during more gambling and ends up being sentenced to debtors' prison and dies in a mental hospital. Perry connects Tom Rakewell's story to his own tapestries and personal experiences. "Hogarth has long influenced Perry's works, his English, his robust humor, and his portrayal of, in his own words, "modern moral subjects." (Miro, 2012). Please note: this is only one example Get a custom paper from our expert writers now. Get a custom essay Grayson Perry comments: “The tapestries tell the story of class mobility, as I think nothing has such a strong influence on our aesthetic taste as a social class in. we grow up." He has a political interest in consumerism and the history of popular design, but for these works he focuses exclusively on "the emotional investment we make in the things we choose to live with, wear, eat, read, or drive." He believes that our regard for our class and taste is rooted in our character and that this "emotional charge" is what draws him to the subject..