Who is a woman? What is a woman? When these questions are asked, people are unable to answer. According to Google's definition, a woman is a member of the fairer sex and is the wife, girlfriend or lover of a man. From this definition it can be derived that a woman is meek, gentle and cannot take care of herself. Furthermore, a woman is always referred to as a man (the man's girlfriend, wife or lover). A woman is much more than a man's property. He is a strong person who has a life of his own. Her life does not revolve around her husband, children or parents. Although man originated from a woman, the term universally used for both sexes is not "woman", but man. For example, “man responds positively to economic incentives”. This includes members of both sexes. When we hear four words, man, woman, doctor and cook, we usually associate the doctor with a man and the woman with the cook. We do this almost instantly without thinking, as this stereotype has been engraved in our minds by many influential factors such as films, books and people's opinions. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get Original Essay Bollywood is one of the biggest influencers as it reaches the masses more efficiently than newspapers or television. Even in the 21st century, a woman is expected to be the perfect daughter, mother, and wife. She struggles to have her own identity and is often cited in reference to a man (her father, husband or son). The "ideal" woman is often described as a woman without dreams, passions or aspirations who exists simply to take care of her parents and husband. Its only 'use' is to reproduce and remain tied up within the four walls of the house. Films like Chori Chori Chupke Chupke have dialogues like "Aurat ke ek nahi teen janam hote hai. Pehla jab woh kisi ki beti bankar is duniya mein aati hai, doosra jab woh kisi ki patni banti hai aur teesra jab woh maa banti hai". In the black and white era, when touching in films was forbidden, heroes would ride behind heroines in their jeeps, cars or bicycles and sing songs, whistle or generally tease them. As cinema evolved from black and white to Technicolor, Bollywood began to flaunt its misogyny. Bollywood has always had a male lead with an actress in a supporting role. In recent times, Bollywood has "upgraded" the role of an actress from a supporting role to that of a "love interest" or object. Internationally acclaimed films like 'Dilwale Dulhania Le Jayenge', which received acclaim for its outstanding plot, really don't deserve it. In the film it is disappointing to see a mother tell her daughter to stifle her dreams just because she is a little girl. He says, “Sapne dekho, zaroor dekho.Bas unke poor hone ki shart mat rakho.” The lyrics of songs like "Taakte rehte tujhko saanjh saware" are supposedly romantic, but in real life this can be considered stalking and is punishable by law. Often depicted as meek and helpless damsels in distress, Bollywood has stereotyped women for years immemorial. In Bollywood films, women are depicted with physical attributes such as beautiful, pregnant, blonde, dark, fat or attractive while men are depicted with personality traits such as independent, rich, respected, powerful, ruthless and proud. If a woman is proud, she thinks too much of herself. If a man is proud, he has done enough in life to be so. If a man talks too much, he has a lot of knowledge to impart, but if a woman talks too much, she is simply too outspoken. If a man talks about his relationships in public, he becomes a "stud", but if a woman does so, she is called a woman of loose morals. Cast introductions usually comeperformed this way. Actor is introduced as an aspiring singer, a seasoned professor, an outspoken government employee or an honest police officer while an actress is introduced as a beautiful girl.ready for marriage, like the daughter of a certain Mr. Shah, like a bar dancer or as a heartbroken girl who had just been abandoned by her lover. Bollywood has objectified women for years immemorial. Songs with shots of water cascading down a woman's cleavage, zoomed-in shots of her waist and dancing to songs with cheesy lyrics depict the degradation of female identity in Bollywood films. Although this problem has not been completely resolved, films like 'Pink', 'Mardaani', 'Dear zindagi', 'Neerja', 'Queen', 'Lipstick Under My Burkha', 'Akira' and 'English Vinglish' are a beacon of light in the dark misogynistic and patriarchal world of Bollywood. They portray women as the strong and bold individuals that they are. It shows how women are not meant to stay within four walls and must have dreams and aspirations of their own. It shows examples of commendable women who defy all odds and make a name for themselves. Akira shows how a girl can also be strong physically and know how to react when required. “Lipstick Under My Burkha” shows the lives of four women intertwining as their secrets come to light. It talks about the difficulties a woman faces in society as she is often looked down upon. The objective of this research is to bring to light some issues regarding the misrepresentation of female identity with respect to Bollywood films, to understand how measures are being taken in recent times to address this problem. Through this project we want to investigate how women's identity has been represented over the years. We wish to do this with the help of some films chosen after long reflection and study. These films show how a woman's identity was portrayed over a 10-year period between 2007 and 2017. As students, we chose this topic as it caught our attention, and as women in society, we chose this topic because we can empathize with the incidents and women shown in these films. We have selected this topic to spread awareness among people that this wrong portrayal of women will not be tolerated and must be stopped immediately. This Salman Khan blockbuster is blatantly flawed. After her father's death, Rajjo (Sonakshi Sinha) is forcibly dragged out of her house by a local police officer who is in love with her. In the film this is shown as a romantic gesture only highlighting how a woman has no say in the matter. The film is very flawed with dialogues like “Pyar se de rahe hai, rakh lo, varna thappad maarke bhi de sakte hai”. This is a blatant, violent threat and Salman Khan acts as if he is doing Rajjo a favor by sweet-talking her. In this film, the feeling of fear has been conveniently confused with the feeling of love. Rajjo, the female protagonist, is the daughter of a drunkard who is evidently petrified of the male protagonist, the police officer Chulbul Pandey. Chulbul Pandey makes rape allegations against his father only to drag him to the office and get an opportunity to talk to 'Rajjo'. He then emotionally blackmails this drunken father into committing suicide so that "Chulbul Pandey" can marry his daughter, "Rajjo". After his sudden death, he shows up at the funeral and rudely asks all the mourners to leave. He then forces "Rajjo" to pack her bags and move in with him as he was taking her to a "better life". Sonakshi, in the film, was not asked even once what she wanted to do with her life. According to the logic ofBollywood, the less a woman says, the better. Dabangg was a sexist film where the light-skinned "Rajjo", barely said a word, always had an angry look and fell in love with "Chulbul Pandey" without knowing his name and on the basis of a few monosyllabic encounters. Bollywood has the uncanny ability to seize the opportunity to belittle women in every possible way and prove that women are evil. In an unnecessarily shameful dialogue, “Chulbul Pandey” says, “Kameeni se yaad aaya, Tiwari ji, bhabhiji kaisi hai?” In the movie Pink (2016), the producers depicted how a woman faces problems in society to be herself. Her morals are judged on whether she is a virgin or not, and if she dates more than one guy she is called a "slut." In this beautifully shot film, the director has beautifully portrayed how three independent women fight for justice after being wronged. The film begins with three wealthy men rushing to the hospital and one of them is bleeding profusely. They do not file a police report. At the same time, three girls, Falak, Minal and Andrea, return home in a shocked mood. Minal goes for a run every morning when she is watched by Amitabh Bachchan, who plays the role of an old retired lawyer. He soon approaches them and takes up the case for them. As he predicted, the girls start receiving threats. This leads to Andrea being persecuted and Falak losing her job. When they chose to file a police report, they were dissuaded by the local police officers because they knew that the boys had good connections. However, Minal files a complaint against the three boys. The following day, Minal is kidnapped by Rajveer's friends (one of the three boys) during her morning run. Deepak (Amitabh Bachchan), witnesses the accident but finds himself unable to help her in the heat of the moment even as he notes down the details of the car. Minal is threatened to stop pressing charges, is blackmailed and harassed in a moving car. A few days later, Minal is arrested by the police in her apartment, based on a complaint from Rajveer labeling the women as prostitutes and accusing Minal of attempted murder. According to Rajveer's story, Rajveer and his friends meet Minal and her friends at a rock concert. They then invite the women to dinner at a hotel, where they consume alcohol. Women seduce men, have intimate relationships and then ask for money, all signs that they are prostitutes. Rajveer refuses to pay the money and an angry Minal, hits him on the head with a bottle and darts. Prashant's argument focuses on the poor moral character of women. He argues that the women's friendly manner, the fact that they attended a rock concert and the fact that they had drinks with the men indicate that they were prostitutes. Prashant attacks the fact that Minal has family in Delhi but chooses to live alone, Falak is in a relationship with an older man and Andrea has moved to the city from north-east India. Contrary to this, Minal and her friends claim that the men attempted to sexually assault them. Minal claims that Rajveer tried to rape her and that she attacked him with the bottle in self-defense. The scene revolves around how, by proving that a girl has loose morals, it is okay to rape her. Deepak (Amitabh Bachchan), points out that even after marriage, a wife has the right to say no to sex. If a man forces her anyway, it is classified as marital rape. Even if a woman is a prostitute, she has the right to say no. A girl's clothes, character, time she comes home or behavior do not make her a prostitute. Traditional views of society are criticized where women come fromstereotyped as prostitutes if they come home late, leave the house, want to be independent, drink, go out with boys and so on, but none of these apply to men. The film ends with Rajveer getting angry and confessing that the girls "got what they deserved". Ultimately, Deepak states that no means no and that it doesn't require any kind of further explanation. This film shows that a woman's word has value and that consent is necessary before engaging in sexual activities. A typical Indian woman embarks on an adventure to travel the world. Weddings in India are considered to be the most important and important turning point in a woman's life. They are celebrated with joy and grandeur, and the breakdown of a marriage is considered a curse. We often see men choosing their ideal "future wife". They experiment with different women and then choose the one who best fits their criteria of an ideal wife. These criteria change from time to time. At some point they need the intelligent and independent woman in their life and at other times they need the typical sanskaari wife. This change of criteria is what happens exactly in the film Queen, where the boy chooses to leave his girlfriend one day before the wedding just because she doesn't fit into "his idea" of an ideal life partner. While the girl and her family feel devastated, she decides that the end of the marriage is not the end of her life and that there is more to life than her boyfriend and decides to take a solo trip or rather a honeymoon solo honey. She transforms beautifully from a shy small-town girl to a strong, independent and fearless woman. It is often believed that after a failed marriage a girl often seeks love and sympathy, but here she wants none of these. He wants freedom, he wants respect, and more than that, he wants to live his life to the fullest. During her journey she meets new people, explores new places, understands the different mentalities of people around the world and realizes that life is more about experiences and joy and not about living up to her husband's expectations. The film shows the transformation of the typical provincial girl, whose life begins and ends with satisfying the expectations of others, into an independent and lively girl who understands the true value of her life, that is, living every moment with courage and not looking at herself. never back. and start over. As she changes, the same boyfriend who left her because she was naive begs her to get back with him because he is now powerful and independent. For men it's kind of a joke. They play with a woman's life. They decide his entry and exit from their life based on their changing preferences and feel that women will eventually listen to them as they have no choice but to come to them. The need of the hour is to make women understand that life is not about finding a perfect man or rather being found by a man and meeting his expectations, but rather it is about leading an independent life where they are appreciated and respected for what they really think. I am. Everyone has freedom of speech and a moral duty to stand up for justice and that all includes women. Often when a woman decides to stand up for justice, she faces a lot of criticism from society and her own family. She is made to believe that her best interest is not to fight for society but to stand by her family even if they do wrong. According to society, all a woman should do is protect the integrity of her family and never let the world see the harsh reality happening within herself. In the film Damini (1993), a rich businessman falls in love with a poor village girl Damini and decides to marry her. Yes,.