Bodoni was born in Saluzzo, Italy, on February 16, 1740. he was an Italian printer who designed many typefaces still in use in this century, one of his many typefaces bears his name and it is one of the most used typographic characters in the modern era and that is Bodoni. Bodoni initially started with old-style typefaces with many decorative details. The typeface that continues to bear the name Bodoni appeared in 1790. Of the books he produced in that period, the most recognized is Manual Tipografico, a collection of 291. He published a second edition of his book in 1818. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay By 1790 Bodoni had become famous in several countries around the world; many people, businessmen and book companies came to see him, saw his work and bought his book. The Duke of Parma gave him a larger and more modern press than the one he used to make his books, with this new press the Duke of Parma wanted him to do better work; even though his books were known for the contrast of the Bodoni characters he always used a beautiful typographical excellence in his books the people who bought the book were not looking for the accuracy of the text but they were looking for the beauty of the typographical character, he printed a lot of important works, the the most famous were the writings of Horace and Virgil in 1791 and 1793 and Homer's Iliad in 1808. In the last year of his life brought Bodoni world fame. Bodoni received compliments from the Vatican Pope for his work and Napoleon Bonaparte gave him a pension. Giambattista Bodoni's type is no exception. its characters have been copied and interpreted many times because they are not easy to read due to the spacing between the letters, although when people try to copy they don't always succeed. Bodoni fonts are some of the most difficult typefaces to imitate due to spacing and detail. When a type designer attempts to create a new typeface, the first obstacle he or she faces is selecting which bodoni font he or she will cut from to use as inspiration. Bodoni created over 140 Roman characters, over 100 cursive designs, more than 100 script characters. the beauty of Bodoni's printing is in how he uses his ability to always use the right design for any given application. If he wanted something with slightly abbreviated proportions, or a slightly lighter font than the previous lines, he had those too. Bodoni typefaces were meant to be seen and read. Bodoni's books, royal announcements and pamphlets were great, the royal efforts were to be appreciated as works of art, rather than simply communication tools. The typography produced by Bodoni is still considered one of the most elegant and structured typography ever produced. Bodoni once spoke to a friend about having thought too much for more than six months and had produced several proofs while choosing the right type for the title page of one of his books. Bodoni's lifestyle was in accordance with his aristocratic typefaces. The people gave him the title of "king of printers". After a relatively short learning period, Bodoni immediately became director of the royal printing press of the Duke of Parma. Bodoni worked for the Duke of Parma but continued to write his books and became increasingly recognized around the world, even Napoleon Bonaparte helped him in his work. When Bodoni was young, the art of the English printer and businessman John Baskerville was his influence; when Bodoni opened his first printing house for the Duke of Parma, he used the characters of Fournier, the French printer. Years later, the art of.