Cabaret has had a huge impact on the everyday reality of life in Berlin. Its history dates back to 16th century Paris. According to Alan Lareau (1991) Ernst von Wolzogen opened the first German cabaret, the Buntes Theater or "Colored Theatre", in 1901 in Berlin. At that time his theater was just an elegantly designed theater with seating in regular rows and a stage with an orchestra pit maintaining distance between the performers and the audience. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Cabaret began to become very popular during World War II. The Germans tried to find a place where they could escape the harsh and disastrous life of war by entertaining themselves in the cabaret. It serves as a place to "relieve stress" for Berliners, after a tiring day at work. Cabaret is not just a simple form of entertainment, it is also a culture that Germans embrace and practice. It is not only a symbol of music or art, but also was a meeting place for talented writers and artists, such as Otto Julius Bierbaum (28 June 1865 – 1 February 1910), a famous German writer. , according to Lisa's book, Cabaret, Cabaret has a huge impact on sex, politics, fashion and race. Therefore, based on all these profound impacts produced by Cabaret, it is undeniable that this form of culture has shaped the heart of Berlin and the daily lives of people living in Berlin. Chanson is a type of popular song played by French cafés and bistros in the mid-19th century. Chanson is a form of French song based on lyrics. Some of the famous Chanson songs are Édith Piaf – “La Vie En Rose” (1946), Rina Ketty – “J'attendrai” (1938) and Charles Trenet – “La Mer” (1946). According to Lisa, in her book The Cabaret, in addition to the purpose of entertainment, the song played a very important role in communication. At that time, newspapers are heavily controlled by government, machinery and finance, so it is difficult to get reliable news from them. Chanson, therefore, plays a vital role in transmitting messages as it does not depend on government, machinery and finance. People started recording their daily story and spreading it in the form of rumor. The song is also used as a democratic tool to express anger and dissatisfaction towards the political party. A famous song called “Expulsion” written by Maurice Mac-Nab is a great example. This song was written during the revolutionary period of the French Third Republic (1870-1940). This song was written during the law vote in June 1886. The main purpose of this song is to make people aware of the exploitative rulers and politics of decay during that time. An example of the text will be Moi j' vas vous dir' la vérité:Les princ' il est capitalizesseEt l'travailleur est exploité,C'est ca la mort du socialisse.Ah ! yes l'on écoutait Basly, which translated into: I'll tell you the truth: The principle is capitalization And the worker is exploited, This is the death of the socialis. Another interesting form of Cabaret in the transmission of voice messages, is the Satire . Based on Jelavich Peter's book, satire is also a form of political message conveyance vehicle, which the presenter will make jokes about political events. However, in the next phase, satire became abundant, to avoid conflicts with the state. According to a diary written by Robrecht Herfkens, "A smile and a tear", is the satire that unites Dutch cabaret shows. He states that satire focuses on the negative aspects of society. Addresses problems and issues that have a negative impact on society. According to Robrecht there are two types ofsatire, the Horatian one and the youthful one. The characteristic of Horatian satire is more towards funny, playful, kind and light-hearted humor. On the other hand, youth satire is often pessimistic, sarcastic, unpleasant and with less emphasis on humor. In the Wilhelmine and Weimar eras, many entertainers joked about political parties. According to Sheri Berman, there are several well-known satires, including Kurt Tucholsky's classic poem "Das Mitglied" (The Member). Tucholsky is one of the most prominent publicists of the Weimar Republic, he is a satirist, cabaret author, singer-songwriter, novelist, poet and critic. Based on the book Berlin Cabaret by Peter Jelavich, the political satire of the time, was more aimed at the side of satire than politics, and became a subgenre of the cabaret entertainment industry. written by Kurt Tucholsky, it was sung by one of the most famous cabaret artists during interwar Berlin. One of the songs that described the cynical approval of the proliferation of profit during the war and post-war months. The song included information against Noske, in fact. By December 1919, this song had become de rigueur (trend) among satirists to attack the Social Democratic defense minister who had repeatedly called in troops to suppress workers' demonstrations. Based on Rebecca Mullins' 2013 report, the loss of the Nazis has transformed cabaret into a place of political satire, it can be illustrated as today's modern comedy club. These tendencies of political satire emerged as the main purpose of cabaret at that time. However, the information presented by this "comedy club" must meet the following criteria:1. expert in literature2. a master of improvisation3. knowledgeable about current news4. a meteorologist of what might happen tomorrow. At some point, this type of cabaret became so popular that it becomes part of the entertainment program. The ability to joke about politics using satire was practically the most popular trend of Weimar cabaret. Bertold Brecht, a highly influential playwright, director and innovative performance theorist, uses 'Spass', which means fun in German, to address political and social messages in each of his works. Brecht's main aim is to encourage the audience to adapt to social changes. and live their life. He found that the best way to fulfill his mission is to convey those socio-political messages through the “entertaining” way. Traditional cabaret performance is a form of theatrical entertainment that consists of music, singing, dancing, acting, or drama. The whole show is quite boring, as there isn't much interaction between the audience and the performers. As you can see, most traditional cabaret shows have been performed by actors, dancers and singers performing what they need. perform on stage, while the audience basically just sits and watches. This phenomenon was observed by the futurist Filippo Tommaso Marinetti, and is reinventing the way cabaret offers presentation to the audience, leading to the birth of the Variety Theatre. The main goal of this concept is to involve the audience as much as possible in each individual cabaret show. This can be done by adding elements such as comedic effects, erotic stimulation or imaginative wonderment into the show. For example, some of the ideas Marinetti suggested were to spread a powerful glue on the seats or to sell the same ticket to ten people. Based on Lisa's book, The Cabaret, it states that "The actors did not have to act among themselves and maintain the fiction of an existing reality on stage, but they had to act for their audience and provoke them into participation." During.