John Sebastian Bach was born in the year 1685 and died in the year 1750. He was a German organist and the most modern composer of the first half of the 18th century. Bach composed his music during the Baroque period of European classical music, and this period is said to end with his death (1600-1750). Over the course of his life Bach wrote more than 1,000 works, all in a different style and each individually unique, with some commonalities. BWV 140 and Coffee Cantata are two extraordinary pieces from Bach's work in which they are comparatively different. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay "Wachet auf ruft die stimme dies" or in English "Wake up, the voice calls us" is a sacred compositional piece by Bach. It was written specifically for the church and is considered a secular work. The piece is also a “cantus firmus” also known as a fixed melody. It was first performed in St. Thomas Shule Church. The continuo, or repeated background instrument, is the basso continuo. The narrator in this piece sings in tenor mode and there is also a part. The last movement, the chorale, is congregational. It allows the listening audience to participate. BWV 140 (BWV is short for Catalog of Bach's Works which is a collection of all his works in one place) also begins complexly at the beginning of the song and moves towards a more simplistic ending which makes it easier for the audience to sing together. Since Bach's Cantata BWV 140 can be described as a church cantata, this leads it to have “a hymn with its appropriate melody forms the nucleus, but the hymn text is used neither for aria or recitatives, nor, on the other hand, the melody of the hymn is sacrificed to imaginative embellishments. The chorale retains its unapproachable and unalterable nature, although it still pervades the whole as a unifying force, even where neither the original words nor the original music are heard” (Spitta 459). The language is expressive through the feeling of the church resulting in a congregational feeling. This model is finally taken up in the composition already mentioned above as BWV 140, “Wake up, the voice calls us”. This composition was prepared for the twenty-seventh Sunday after the Trinity of 1731, November 25. It is a very well-known song given that it rarely occurs in the ecclesiastical year, which makes this song even more special. The three-stanza hymn (movement 1, 4 and 7) is borrowed from the great Philip Nicolai as the basis for Bach's work. This story has a connection with the Gospel story of the ten virgins and anticipates the Song of Songs and the Apocalypse of St. John. Bach had written over 300 works dealing mostly with sacred cantatas, passions and motets. You may have felt the need to shake things up and add some changes to your work or you may simply need a new challenge. This led Bach, in March 1729, to become director of the Collegium Musicum (founded by Teleman). Bach together with the Collegium presented public readings weekly indoors at Zimmermann's Coffee House. Bach came out with a new style of compositions producing secular cantatas, instrumental works and keyboard pieces, while continuing to produce at an extraordinary pace providing the Collegium with many pieces of music. He rearranged Cothen's pieces using different forces and wrote entirely new works. “Most striking is his flirtation with operatic composition” (Stauffer 27). 'Schweigt stille, plaudert nicht' or the Café Cantata shows the conventions of 'opera buffa' (Stauffer 26). Contrary to BWV 140, Bach writes a profane and not sacred piece. This opera song stages a story in which it makes you feel the.