Marielys Delgado ARC5744 Turn of the Century Modernism QuestionsSay no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Hermann Muthesius wrote that objects should express a "will to form." What does this mean and what is the designer's role in creating them? Give an example. Herrmann Muthesius believed that the only problem with modern architecture was that you couldn't simply rearrange a door or window on a design and say the problem was solved. He believed it was about seeking not very different terrain and finding every possible benefit with science and technology that would help us improve our problem with modern architecture. He insisted on ignoring everything that weighed heavily, such as tradition or proportions, and creating new lines and new shapes. He argued that new reasons for existing should be given. Since much of the architecture was influenced by the Zeitgeist, Herrmann Muthesius was against it and had the environment as a whole as his moral of life. An example of "will to form" in a designer's role in creating it is to not design according to a tradition or according to a proportion; instead you should give new reasons to structures and life. Try not to follow the basic design of modern architecture or try not to change a simple line and assume that you have changed the way modern architecture works. Try designing a structure that gives you new reasons to be excited. You can accomplish anything through the power of the mind, the “will to form.” An example of this designer role is Frank Gehry's Star Wood Hotel in Spain. This project offers a perfect example of a designer who does not follow the rules of the "Zeitgeist" and creates his own rules using every possible advantage with science and technology, and not using the traditional rules of modern architecture. Both Gropius and Sant'Elia appreciated lightness, transparency and dynamism. How did each express these qualities differently? Describe specific buildings or drawings. Gropius and Sant'Elia both used lightness, transparency and dynamism. They highly valued these qualities, but used them differently. Please note: this is just an example. Get a custom paper from our expert writers now. Get a Custom Essay Saint Elias believed that straight and oval lines were dynamic in themselves and much more intense in feeling than the vertical and horizontal lines used. He said architecture uses reinforced concrete, steel, glass, cardboard and textile fibers or any alternative to wood, stone and even brick or anything that allows elasticity and lightness to a building. Sant'Elia believed that there was more to modern architecture. His drawings had an iconic form and brought out a kind of fantasy. An example of this is his drawing called Manifesto of Futurist Architecture made in 1914. Here you can see the ideas that Sant'Elia appreciated, as well as the dynamism and lightness used to create such a large work. On the other hand, Gropius experimented with light, space and form, which attracted a lot of attention to him. He was recognized as one of the best modern architects of the 20th century as he used glass screens on all walls in most of his buildings. He was quick to see the advantages and disadvantages that economics had on buildings. An example is the Fagus factory, Alfred, Germany. In this structure you can see Gropius' use of light and how he used a form of steel frame to support the glass, floors and exterior walls. Stan'Elia had a grander design.