Ask someone when they last admitted their feelings to someone and they'll probably give you a recent story. Ask someone what that feeling of love means and they are silent. Throughout our lives, shaped by romantic literature and professors' interpretations, we visualize, through rose-colored glasses, the idea of ​​love as a series of magical moments. However, although most people view love stories as having aspects of trust and commitment, the human relationships in these fictional narratives reflect social commentary on the dishonest mechanisms of the human mind that promote greed and self-fulfillment in relationships . Therefore, it is incorrect to label love stories as true indicators of romance, because beneath their superficial messages exists satire on emotions. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay George Cukor's romantic comedy The Philadelphia Story (1940) is therefore, in a sense, a comprehensive commentary on the peculiarities of human desire. It is a famous comedy about “remarriage,” a subgenre created by philosopher Stanley Cavell in Pursuits of Happiness: The Hollywood Comedy of Remarriage. The analysis of the depiction of love in The Philadelphia Story based on Cavell's philosophical ideas elaborates the idea that the authentic object of true love is reality itself. In his book, Cavell explains that the best way to achieve mutual love is to become aware of each other's needs. In fact, he summarizes that human affection does not seek perfection, on the contrary, it is attentive and dependent on judgment, which sees man for what he really is. The Philadelphia Story illustrates the point very well, with several scenes showing the flaws of Tracy and Dexter's Affair. Dexter loves Tracy despite her flaw in demanding perfection from others and aims to subtly illuminate this to her until her second marriage, so that she does not repeat her mistakes. At the beginning of the film, Tracy's reasons for divorcing Dexter seem justifiable until we begin to understand the role they played in overthrowing the character of others. Although Dexter was an alcoholic, Tracy encouraged this behavior through her demands and accusations, and when these were not met, Dexter's addiction worsened. Cavell notes that “Tracy points out that his problem was drinking, he replies, 'Of course. But you took on this problem when you married me. You weren't any help there, Red. You were a reproach'” (Cavell 146). Dexter exasperatedly exclaims to Tracy that she was never there to listen to his problems, and continued to berate him for even having those problems. It's much easier to wish a person in need a happy birthday than to be truly compassionate. Likewise, it's much easier to stop fighting and get divorced than to be patient while your partner works out his or her problems. The play "Re-Marriage" aims to show the importance of a character's changing nature towards a flaw, and not just adopting passive behavior. "'Importance' is an important word for Dexter," Cavell writes, "as it connects Tracy's inability to remember what happened the night she got drunk to her inability to tolerate human weakness and imperfection" and understands the point by screaming, “it is extremely important… You will never be a first-class human being or woman until you have learned to have some respect for human frailty” (Cavell 148). By distinguishing between two different adjective meanings of "first class", he makes fun of his bourgeois snobbery and his critical and severe character. Tracy, despite having grown up in first,.