There are three main topics to discuss when it comes to analyzing Conrad's Heart of Darkness: symbolic interpretations, character development, and language. Heart of Darkness has an abundance of almost subliminal nuances. This novella is written with such precision and detail that almost every paragraph has a significant role to play in the overall plot. The author, Conrad, focuses on creating a story to illustrate ideas and themes, rather than a simple narrative. These ideas and themes are constantly thrown at the reader in a very intense and relentless way, which makes them even more powerful. Therefore, even a passage of only five pages can have a considerable amount of detail to discuss. As it happens, pages 54-59 are among the least symbolic in the entire novel. However it still contains some important points to note. The theme first introduced on page 34, about the two types of devil, is here reinforced by the descriptions of the director and his uncle, who are both clearly "flaccid, false, weak-eyed devils of a rapacious and merciless man". madness.• Neither would be particularly eager to take direct action against Kurtz; they would much prefer a less involved way to take him away from their worries. This is demonstrated by their deliberate failure to find a doctor for Kurtz, as well as their overall personality. Another possible reference to devils and their religious connotations is on page 54, when Marlow describes the arrival of the Eldorado exploring expedition as "a visit". • This word can have two meanings: a formal visit or inspection, which is the initial interpretation one might make of Marlow's (or Conrad's) use of the word; however, ... half of the paper ... and, two sentences are used to make the atmosphere more disturbing and disturbing. Marlow first speaks of the jungle, referring to the "darkness of his heart". • The passage then ends with "the sun was low", • a particularly dark ending, followed by the somewhat ghostly description of the director and his uncle's shadows. failing to bend a single blade of grass. All of these techniques are used to give the attentive reader a multi-layered and intriguing story. This particular passage also asks many questions without answering others, urging the reader to continue delving deeper into the story. At first glance, you might think that little happens in this passage - after all, most of it is taken up with a single conversation - but, upon closer inspection, you can gain a great deal of knowledge about the characters and the deeper nuances that go into them. characterize. the novel.
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